#POP, #THOUGHTS, Fashion

The #Happy Era

2048

Maisie Williams – Arya Stark on ‘Game of Thrones’ – said it most succinctly on MTV’s ‘Teens React’ video for ‘Saved by the Bell’’s 25th anniversary. While wearing an oversized baseball shirt over a tie-dye-esque top, an excessive number of bracelets of various colours and materials, and capping the look with a backwards cap, she declared: “We’re kind of coming back to this fashion now. Everyone is like wearing this stuff again.”

Teens, at least, seem to have moved into an alt-normcore version of ‘90s retro fashion. Unburdened by the angst of their yuppie-aged compatriots – who tend to go for the drably inconspicuous art-student/middle-aged-tourist look – these young alt-thinkers have adopted the bright patterns, colours, and accessories of ‘90s fashion.

They’re coming of age in an age that’s tired of being tired. Exhausted by the effort of trying to be cool, think different, and act smart, young people – and, arguably, society in general – is embracing the freedom of exuberance. Emblematic here is the general ardour and excitement following Pharrell’s #Happy movement, where thousands of people all over the world danced like no one was watching to make their own versions of his astonishingly popular song of the same name.

The #Happy Era is an age in which the natural exuberance of young people finds unfiltered expression through ever-increasing social media outlets, giving them a disproportionate influence in defining the hallmarks of our zeitgeist.

Though, sometimes this is displayed as an excessive concern for all manner of things light-hearted and self-centred, such as cats, pranks, dancing, slang, clothes, luxury goods, vacation pics, pithy quotations, self-portraits, &c.

In ages past, young people were told to sit down and shut up when they got too enthusiastic or curious. But, their inherent enthusiasm and curiosity have now found an outlet behind the backs of adults, who, for the most part, are unaware of this phantom world their children inhabit, which, due to its speedy growth, is having an actual effect on the physical world.

This is not to say that young people today are wholly different from their predecessors. Youth has always been marked by un-jaded joy. Rather, the difference is that more young people live in societies wealthy enough to provide them with the freedom to indulge that joy, and the ability to voice their thoughts. They have now an audible voice, which seems to say that they are aware of the manipulations of a consumerist culture that tells them what to buy and how to look, they are aware of a media that forces upon them biased viewpoints, and they are tired of being told what to be and what to think.

The point here is that the exuberance of young people has become a driver of the times, because, for the first time ever, they have powerful outlets to express themselves. Most interestingly, that exuberance has not been limited to trivial or self-centred expressions like borderline abusive feline obsessions or a psychologically damaging absorption with their own faces. Rather, they have been able to use social media to galvanise their exuberance for real social and political change.

The #Happy Era is one in which, for the first time, the voice of young people is so loud that it cannot be silenced and set in a corner. The democratising effect of social media has been so powerful that it has allowed the exuberance of youth to cause change on a scale that is remarkable in human history.

Perhaps, then, the current popularity of bright clothes and bright music is a well-earned celebration – the uniform of the victorious revolutionaries. Perhaps we are about to see again TV shows that take place in the bright, halcyon world of ‘Saved by the Bell’, where, as one kid watching the MTV video while wearing a neon shirt and backwards baseball cap put it: ‘these guys are just like, happy … happy kids.’

Perhaps it’s time we embraced the power of #Happy. Maybe we even deserve it.

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#POP, Music, Television

Pack of Lies

Our Recreation of the Most Influential Scene in Television History

The ‘80s became “The ‘80s” when Phil Collins’s ‘In the Air Tonight’ played as the backdrop to two cops driving quietly through a dark Miami night, streetlights reflecting off the hood of their black Ferrari. That scene, in the first episode of Miami Vice, is one of the most influential moments in television history.

That scene set the stage for a new breed of story-telling: images without dialogue and episodes without clear narrative, making music drive the plotline.

This technique of overlaying music over climactic scenes became a hallmark of the show – noted for allowing music and visual effects to tell the story – and was so influential that it is now common practice in film and television.

With only the song audible, and all background sound removed, the scene takes on a dramatic and dream-like quality, becoming the trademark of the MTV audience – ‘more interested in images, emotions and energy than plot and character and words’ (TIME magazine).

Because of its flashy visuals, dedication to the latest European fashions, and heavy integration of the latest pop songs, Miami Vice was not only one of the most influential moments in TV history, but one of the most influential movements in pop culture.

And this scene, which we recreated above, is the one that started it all.

Miami Vice was the first show to look really new and different since colour TV was invented.’ (People)

On set at the ‘Pack of Lies’ shoot 

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